My work blends traditional mediums, the cutting edge of ethical AI, and established digital art techniques.

 

The Scarlett model, which has been trained solely on my own work to create a custom set of loRA references within Flux, is the foundation of my visual art. It generates the raw material, which I then sculpt and refine using Adobe Photoshop. I often incorporate Mosh to introduce unexpected distortions and VHS style glitching. This unique workflow allows me to create images that are both technically sophisticated and artistically vintage, to translate these visuals to film, I use a mix of tools and software such as Hailuo, Kling and Movavi Video Suite.​

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My passion for sound and music finds expression through a combination of DAWs (digital audio workstation) and hands-on techniques. I rely on Cubase 14 for music production and sound engineering, utilizing a variety of VST plugins and granular synthesis such as Bioscape, Arkhis, Lunaris 2, and Fables from respected companies like Native Instruments and Luftrum.

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This eclectic mix of tools empowers me to create immersive and multi-faceted art that transcends boundaries and pushes creative limits. I believe that embracing both the traditional and the technological allows me to craft some truly wild, scary and evocative experiences.